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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">nsc</journal-id><journal-title-group><journal-title xml:lang="en">Archaeology, Ethnology &amp; Anthropology of Eurasia</journal-title><trans-title-group xml:lang="ru"><trans-title>Археология, этнография и антропология Евразии</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1563-0110</issn><publisher><publisher-name>IAET SB RAS</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.17746/1563-0110.2024.52.2.029-036</article-id><article-id custom-type="elpub" pub-id-type="custom">nsc-1891</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>PALEOENVIRONMENT. THE STONE AGE</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ПАЛЕОЭКОЛОГИЯ. КАМЕННЫЙ ВЕК</subject></subj-group></article-categories><title-group><article-title>Archaeological Collections from the Jōmon Period in the Peter the Great Museum of Anthropology and Ethnography (Kunstkamera)</article-title><trans-title-group xml:lang="ru"><trans-title></trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-2873-6664</contrib-id><name-alternatives><name name-style="western" xml:lang="en"><surname>Ivanova</surname><given-names>D. A.</given-names></name></name-alternatives><bio xml:lang="en"><p>Researcher, Associate Professor</p><p>Ayaks 10, Russky Island, Vladivostok, 690922</p></bio><email xlink:type="simple">ivanova.dale@dvfu.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff xml:lang="en" id="aff-1"><institution>Far Eastern Federal University</institution><country>Russian Federation</country></aff><pub-date pub-type="collection"><year>2024</year></pub-date><pub-date pub-type="epub"><day>29</day><month>06</month><year>2024</year></pub-date><volume>52</volume><issue>2</issue><fpage>29</fpage><lpage>36</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Ivanova D.A., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Ivanova D.A.</copyright-holder><copyright-holder xml:lang="en">Ivanova D.A.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://journal.archaeology.nsc.ru/jour/article/view/1891">https://journal.archaeology.nsc.ru/jour/article/view/1891</self-uri><abstract><p>This article presents an analysis and additional description of archaeological items of the Jōmon period from A.V. Grigoriev’s collection (No. 1294) at the Department of Archaeology of the Peter the Great Museum of Anthropology and Ethnography (Kunstkamera) RAS in St. Petersburg. The study focuses on the description of decorative motifs and the stylistic attribution of selected samples of pottery. The analysis is based on the published data about the Ōmori shell mound (Tokyo, Honshu Island), visited by Grigoriev in 1878 as a part of the expedition from the Imperial Russian Geographical Society. The early stage of the Japanese archaeology is described with reference to the Ōmori shell mound. Special attention is given to specific features of the Jōmon decorative style. The geographic location of the site suggests that the samples are associated with the Kasori B and Horinouchi styles. Contrary to the Russian tradition, the emphasis is made on stylistic interpretation rather than technology and typology. The combinations of large zonally arranged rectangular designs and spiral motifs are typical of the Kasori B style, to which several samples belong. Others reveal vertically and horizontally arranged patterns consisting of incised arcuate and straight lines, typical of the Horinouchi style.</p></abstract><kwd-group xml:lang="en"><kwd>Japan</kwd><kwd>MAE</kwd><kwd>A.V. Grigoriev’s collections</kwd><kwd>Neolithic</kwd><kwd>Jōmon</kwd><kwd>pottery</kwd></kwd-group><funding-group><funding-statement xml:lang="en">This study was supported by the Russian Foundation for Basic Research (Project No. 19-39-60001).</funding-statement></funding-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Akita Kanako. 2008 Kasori B-shiki doki [Kasori B style ceramics]. In Sōran Jōmon doki. Tokyo: UM Promotion, pp. 594–603. 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